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Glass house
1994
Availability
Fiction/Biography Profile
Characters
Thea Tamborella (Female), Orphan, Inherited a mansion from the aunt who raised her; returning to New Orleans after a ten year absence
Genre
Suspense
Southern fiction
Psychological
Fiction
Topics
Inheritance
Race relations
Inner-city life
Social classes
Racial conflict
Violence
Setting
New Orleans, Louisiana - South (U.S.)
Time Period
1980s -- 20th century
Large Cover Image
Trade Reviews
Library Journal Review
When Aunt Althea dies and leaves niece Thea Tamborella a mansion in the Garden District, Thea returns to New Orleans to settle the estate. Having lived in exile for ten years, she finds herself inexplicably drawn back to the city where life has become dangerous. Citizens are pitted against each other: black against white, rich against poor. Fear is pervasive. Despite the murder of her parents in her youth and the paranoia of some of her old friends, Thea remains open-minded. She hires Burgess Monroe, the son of her aunt's housekeeper, to remodel her house. A childhood acquaintance, Burgess has become a local drug kingpin and the Bishop of Convent Street. As the story unfolds, Thea finds herself physically drawn to Burgess. Wiltz writes beautifully and compellingly, creating the unique aura of New Orleans and a phalanx of well-developed characters. There is a sustained and effective atmosphere of racial tension throughout. Recommended.-- Kimberly G. Allen, MCI Corporate Info. Resources Ctr., Washington, D.C. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publishers Weekly Review
Set in contemporary New Orleans, this is a compelling story about a young woman whose return to her hometown is undermined by old fears and new hatreds. Recovering from a failed marriage and haunted by the murder of her parents by two black men, Thea Tamborella moves back from New England into a mansion in the Garden District bequeathed to her by her aunt. Still at the mansion is Delzora Monroe, her aunt's housekeeper, whose son Burgess was Thea's childhood playmate until he was banished from the house. Now a rich and powerful drug dealer, Burgess is determined to rebuild the Convent Street Housing Project. Drawn to Burgess, Thea begins to understand the fear and distrust blacks feel in reaction to the white community's suspicion and prejudice. Racism lurks beneath the well-bred facades of Thea's old friends, her high school boyfriend Bobby Buchanan and well-to-do Sandy and Lyle Hindermann. Lyle has become a white supremacist fanatic and--when a white police officer is killed--a vigilante. The tensions between the two communities escalate beyond control until another fatality occurs. Shattered by the crossfire of raging hatred, Thea must come to terms with her parents' deaths, her conflicted feelings toward Burgess and her gradual recognition of the real enemy. This cautionary tale (which was inspired by real events) is a powerful, heartbreaking evocation of an American tragedy. Wiltz wrote The Killing Circle and other mysteries and was coauthor of Backlash: Race and the American Dream. (Jan.) (c) Copyright PWxyz, LLC. All rights reserved
Booklist Review
After 10 years in the North, Thea Tamborella returns to New Orleans when her chilly Aunt Althea, who raised her after her parents were shot in a grocery holdup, dies and leaves Thea her Convent Street mansion. Delzora Monroe, Althea's aging housekeeper, is still there, as is her son Burgess, rejected by Delzora because of involvement in the drug trade, but idolized in the nearby Convent Street Project because of his work to improve conditions there. And the society types the orphaned Thea met in her private school are still there too, fenced behind elaborate security systems, packing pistols, and joining paramilitary patrols and reserve police forces. As a quasi outsider attracted to Burgess and nurtured by Delzora, Thea experiences the terror which controls much of the behavior of both races in New Orleans, but she questions that fear, analyzes it, and resists the shift from fear to hatred visible in so many of the people she encounters. Wiltz moves with compassion and understanding between Convent Street's armed mansions and devastated housing project, between the dreams and fears of Thea and her high school friends and the desperate hopes and pains of Burgess and other project residents. Police raids, gang violence, and the everyday injuries of racial contempt seem the inevitable result of the eternal, mindless dance of death orchestrated by mutual fear from which Wiltz's characters--and many Americans--seem unable to escape. ~--Mary Carroll
Kirkus Review
The author of three mysteries (The Emerald Lizard, 1990, etc.) and coauthor of a TV documentary on David Duke, Wiltz was inspired by the 1980 shooting of a white New Orleans policeman and its bloody aftermath to focus on the issue of race relations in her city--resulting in a gripping, thought-provoking drama that begins with a quote from Abraham Lincoln: ``As a nation of free men we will live forever or die by suicide.'' Thea Tamborella is not sure she wants the inheritance her Aunt Althea has thrust upon her: a Garden District mansion on the all- white end of Convent Street. The house harbors painful memories for Thea, who was forced to live there after her parents, grocers on the wrong side of town, were shot to death by a robber. Pushed into an exclusive private school, expected to take her place in New Orleans society, teenaged Thea waited out her Convent Street sentence until she was old enough to flee to the East Coast. Returning ten years later, she finds little changed, but everything made more so: Delzora Monroe, her aunt's housekeeper and once Thea's closest friend, still dusts the furniture but is perhaps a little more surly; her son, Burgess, once Thea's playmate, still charms with his smile but makes his living now as a drug dealer; Thea's high-school boyfriend, Bobby, is as ineffectual a rich boy as ever; while Sandy and Lyle Hindemann, once the golden society couple, have created a beautiful home and family, only to live in utter terror of the black ``mobs'' across St. Charles Avenue. As Thea renovates her house, she finds herself swept up again in the city's reciprocal fear, suspicion, and resentment, until the hair- trigger inter-racial tensions are tripped once again and men on both sides of the avenue take up arms. Never pedantic, always fair: Wiltz's message is that fear--and guns--are the enemy, and the choice is to not kill or be killed. A calm, quiet voice that deserves to be heard.
Summary
"When Thea Tamborella returns to New Orleans after a ten-year absence, she finds the city of her birth changed, still a place of deep contradictions, a sensuous blend of religion, tradition, bonhomie, and decadence, but now caught in a web of fear caused by bad economic times, crime, and racial unrest. Many residents have sought to avoid the city's problems by fleeing to the suburbs. The wealthy who have remained in the inner city hide behind the walls of homes protected by elaborate security systems. The poor live in decaying neighborhoods and in tenements taken over by drug dealers. Fear of race riots following the murder of a white policeman and the subsequent police terrorization of the all-black housing project where he was killed are dividing the city even further." "Thea herself learned the meaning of fear when her life was uprooted after the murder of her parents in their grocery store. She left New Orleans when she grew up but returns there to claim the Garden District mansion she has inherited from her aunt. It is in this great old Victorian house that she encounters a childhood friend she had been forbidden to associate with, Burgess Monroe, the son of her aunt's housekeeper. She is drawn to this now powerful and mysterious man, even though she senses that he may hold dangerous secrets." "At the same time, Thea is renewing friendships with her old high-school crowd: Bobby Buchanan, a former boyfriend who is still in love with her, and Lyle and Sandy Hindermann, wealthy blue-bloods. Like many other New Orleanians, Lyle and some of his circle are carrying guns, arming themselves against their perceived enemies. But Lyle has gone one step further: he has become a reserve policeman and a fanatic about law and order. Caught up in the hunt for his fellow officer's killer, he follows a trail that leads him to Burgess' friend Dexter and Dexter's girlfriend, Sherree Morganza, an out-of-work stripper and single mother. It is a case of mistaken identity that ends with brutal and senseless death." "Thea, overwhelmed by the violence and mistrust that swirl around her, torn by conflicting passions, finally must come to terms with her own life: with the murder of her parents, with her attraction to Burgess, and ultimately, with a growing conviction that she knows who the real enemy is."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
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