The editors of The Southern Review have here selected 25 stories from the nearly three hundred published since the magazine was revived for its second series in 1965. Their criteria for inclusion were simple (""excellence in the craft of fiction and the diversity of authorship and subject matter"") if not simply met. For this is an anthology of widely disparate accomplishment, ranging from the masterly prose of Nadine Gordimer and Reynolds Price to the rather clumsy efforts of lesser-known Charles East and Elaine Gottlieb. Evidence of the editors' cosmopolitan tastes, the stories travel to Africa, where, in Gordimer's ""Abroad,"" a white South African visits his sons in the racially freer Zambia; to Northern Ireland, where, in Mary Lavin's ""The Face of Hate,"" the tensions in Belfast help define the genesis of hatred; to Brazil, where, in Elizabeth Bishop's ""Memories of Uncle Neddy."" the poet recalls her wild drunkard of an uncle when, after his death, a portrait arrives in the mail; to an international writers' conference in Joyce Carol Oates' ""Detente,"" a personal episode in East-West politics. Many of the selections play out against a Southern landscape, and two of the best are set right in Louisiana, home of the magazine. John Corrington's ""Pleadings,"" a superior piece of genre fiction, blends hard-boiled talk of booze and brunettes with Dixie freaks and Jesus-lovers, and ends with a hell-fire reconciliation in flames. At the other extreme is Robb Forman Dew's ""Two Girls Wearing Perfume in the Summer,"" a tale as exquisite and delicate as the southern belles of the title--two charming and pretty girls from Natchez, Miss., who take up residence in innocence-shattering New Orleans. On the down side, Charles East's fictional memoir of a daughter's suicide and Elaine Gottlieb's account of a matriarchy of Jewish divorcÉes seldom get beyond their limiting premises. Many of the remaining stories, for better and worse, find their organizational principles in memoir or character study. The editors close the volume with John Wideman's challenging ""Surfiction,"" a playful exercise in literary criticism, the kind of unusual fiction served well by small magazines. Uneven to be sure, but a fine testament to a thriving journal. Copyright ©Kirkus Reviews, used with permission. |