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Imagining our time : recollections and reflections on American writing
2007
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In his introduction to this posthumously published work (Simpson died in April 2005), Fred Hobson writes that this book reflects the author's commitment to writing as a vocation. Certainly this is Simpson at his best. Though many of these essays were previously published, as a collection they remind the reader once again of the breadth of Simpson's scholarship and the lucidity of his style. He knew many of the writers he assesses (Lionel Trilling, Allen Tate, Robert Penn Warren, Eudora Welty, Walker Percy), but he keeps his subjectivity in check in his criticism. One of his most incisive observations comes from a singular thought he had at Warren's burial in Vermont--that southerners were once spiritual New Englanders. Unfortunately, Simpson does not explore that irony any further, though he does touch on it again in a comparison of Trilling and Tate. An essay on Diana Trilling underscores that she was one of the best literary minds of the 20th century. Simpson looks at Louis Rubin's A Charleston Jew through boat imagery, Welty through her photography. The concluding essay on Walker Percy runs to 62 pages and seems to penetrate right into that author's soul. Summing Up: Highly recommended. Lower-division undergraduates through faculty. S. W. Whyte Montgomery County Community College
Summary

Lewis P. Simpson towers among scholars of American literary studies, as an intellectual historian of the South and American literary culture and a revered essayist. His last book, Imagining Our Time, offers a wide-ranging, erudite, and enlightening look at the culture of letters in American society. Primarily through an examination of the works of some of the leading writers of the twentieth century, many of whom Simpson knew intimately, this final volume provides insight into the struggles and concerns unique to prominent American thinkers, literary artists, and critics contemporary to his own lifetime.

Often moving from an intriguing anecdote or recollection to a rigorous discussion of ideas, Simpson?s style is captivating. He begins with speculation on Eric Voegelin?s interest in Julien Benda?s polemic La Trahison des Clercs and follows with thoughts on the declining faith in the university as an embodiment of humanistic letters and learning, surveying the American Republic as far back as Benjamin Franklin. In successive chapters, Simpson pays tribute to Malcolm Cowley as a "hero of the literary art" and probes Robert Penn Warren?s fixation with Thomas Jefferson as manifested in the writing and complete rewriting of Brother to Dragons.

He ruminates on the vocation of the critic as practiced by Lionel Trilling and Diana Trilling, and the literary and cultural politics of the 1930s. Brief portraits of Andrew Lytle and Louis D. Rubin, Jr., appear, as well as a poignant argument for the autobiographical cast of Eudora Welty?s writing. A lengthy, riveting consideration of Simpson?s friend Walker Percy and Percy?s quest for identity as a modern Christian novelist alienated from the society around him forms the core of the volume.

Fred Hobson?s introduction fittingly rounds out Imagining Our Time, offering an intimate appreciation of Lewis Simpson-who will remain a giant among scholars of southern literary studies.

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