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Words by the water
2008
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Booklist Review
Smith turns 90 this year, so don't carp about the several previously collected poems in this book. Instead, appreciate the book's exquisite arrangement and the concern of the collection as a whole with linking eras of life and art. The first section, The Atoll, includes three poems Smith wrote when stationed on Palmyra in the Pacific in 1942. They conjure the feeling of being at the end of the world in precise, jewel-like stanzas; their since-composed companions are wonder-filled, looser-lined memoirs. The light verses in The Deer and the Dachshund often bring art and poetry's past also the poet's past, in the previously unpublished Oxford Doggerel, on his 1947 Rhodes scholarship year into the present. The Hunt contains modern examples of one of the oldest poetic forms, namely Riddles, and in The Greatest Wealth are four appropriately lovely examples of another hoary genre, the epithalamium, or wedding song. Only in the last section is anything like a swan song heard (perhaps the titular water is the Styx), and it is consolatory, not mournful.--Olson, Ray Copyright 2008 Booklist
Summary

William Jay Smith has been one of the most respected figures on the literary scene for more than half a century. Two of his thirteen poetry collections were finalists for the National Book Award, and the present volume is clearly the work of a true American master.

The volume opens with a poetic sequence, "The Atoll," concerning the tiny coral island of Palmyra during World War II. Finding himself on the narrow rim of an extinct volcano at almost the exact center of the Pacific, water on all sides, breakers pounding the reef, the poet evokes the distinct sensation that he had of being at the heart of Herman Melville's "oceans vast." In lines resonant and memorable, he recalls the "terrifying beauty" of standing at night on what seemed then the very edge of the earth.

The poet next addresses our current daily terror--war and destruction. In "Invitation to Ground Zero" he presents a moving tribute to a victim of the September 11 disaster, while in "Willow Wood" a soldier, having recently lost both his legs in a roadside blast, utters without a trace of self-pity strong words on future wars. Tragedy marks many of these pages, but Smith does not forget his lifelong commitment to witty and satiric verse. To introduce several hilarious pieces, he reprints the celebrated poem "Dachshunds." Simplicity and musicality have given his wedding songs a wide audience. Several of them are here, including an extraordinary new one, "The Bouquet."

Variety has always characterized Smith's work. Words by the Water is particularly varied and unusually youthful and fresh.

Table of Contents
Author's Notep. xi
Preludep. 3
The Atollp. 5
The Atollp. 7
Of Islandsp. 8
Note: Palmyrap. 9
On His Dark Bedp. 10
Reflectionp. 11
The Gardenp. 12
The Flightp. 13
Note: The Atollp. 15
The Huntp. 17
Willow Woodp. 19
Invitation to Ground Zerop. 20
Contemplation of Conspiracyp. 21
The Poor Peacock and the Rich Peacockp. 22
Perfect Lives: Portraitsp. 23
Riddlesp. 24
The Artist and the Arenap. 26
The Huntp. 27
The Deer and The Dachshund: Light Verse and Satirep. 29
Dachshundsp. 31
Author, Authorp. 32
The Literary Lifep. 33
Epitaphsp. 36
On the Banks of the Mississippip. 37
Oxford Doggerelp. 39
Translationsp. 45
Harry Martinson: The Forest of Childhoodp. 47
Harry Martinson: Peoniesp. 48
Harry Martinson: The Henhousep. 49
Paul Valery: Pomegranatesp. 50
Jules Laforgue: The Far Westp. 51
Kjell Hjern: On the Growth of Hair in Middle Agep. 53
Jean-Max Tixier: Writingp. 55
Basho: Haikup. 56
Sandor Weores: The Lunatic Cyclistp. 57
Sandor Weores: Boundless Spacep. 59
The Greatest Wealth: Wedding Songsp. 61
Now Touch the Air Softlyp. 63
The Bouquetp. 65
Song for a Country Weddingp. 67
The Greatest Wealthp. 69
Words By The Waterp. 71
Old Cherokee Woman's Songp. 73
Song of the Dispossessedp. 74
A Rational Departurep. 76
Rhetorical Questionp. 77
Cats in a Summer Gardenp. 78
To the Memory of Hubert Creekmore (1907-1966)p. 79
A Green Oasisp. 80
Woman at the Pianop. 81
Words by the Waterp. 82
Acknowledgmentsp. 83
Librarian's View
Syndetics Unbound
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