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Unfathomable city : a New Orleans atlas
2013
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New York Times Review
My first landlord in New Orleans, a Tennessee native who had lived in New York and Washington, told me that after a few years in the financial and political capitals, he understood them. But after a decade in this sweltering city, with its 18th-century fusion cuisine, misplaced Massapequa-on-the-Mississippi accent and transvestite rap divas, he was "still just peeling back the layers." In the second volume of her planned trilogy of deliciously eccentric atlases, Solnit, the Left Coast polymath, amasses a team led by Snedeker, a New Orleans filmmaker, to plumb the Crescent City's admittedly "unfathomable" depths. As cultured New Orleanians know (or at least pretend to), the word essay comes from the French essayer (to attempt); the book's most rewarding essays are not its most successful attempts but its most audacious. Is it a single civic psychosis that led Louisiana to construct the world's largest pumping station and the nation's largest prison in costly, fruitless attempts to solve New Orleans's notorious flooding and crime problems? Perhaps. Do local cravings for raw oysters and raunchy sex share a root? Maybe. Regardless, this objet d'art is as infectious as a second line, an urban art form that the scholar-parader Joel (Heavy D) Dinerstein points out is named for its audience participants instead of its leaders. With "Unfathomable City," Solnit and Snedeker have produced an idiosyncratic, luminous tribute to the greatest human creation defined by its audience participants: the city itself.
Publishers Weekly Review
New York City's vitality and diversity are done justice in this third in a series of city atlases, following Unfathomable City: A New Orleans Atlas and Infinite City: A San Francisco Atlas. As editor Solnit states in her introduction to the present volume, her trilogy explores "what maps can do to describe the ingredients and systems that make up a city and what stories remain to be told after we think we know where we are." The book includes 26 wonderfully inventive maps, presented in color on full pages and accompanied by essays by a variety of contributors, including historians, ethnographers, journalists, and novelists. The maps are often playful and idiosyncratic. Highlights include "Harper's and Harpooners: Whaling and Publishing in Melville's Manhattan," "Mysterious Land of Shaolin: The Wu-Tang Clan's Staten Island," and a map entitled "City of Women," which superimposes the names of women over stations on a subway map. Even lifelong New Yorkers fluent in their city's history will find this work thought-provoking. Color illus. (Oct.) © Copyright PWxyz, LLC. All rights reserved.
Summary
Like the bestselling Infinite City: A San Francisco Atlas, this book is a brilliant reinvention of the traditional atlas, one that provides a vivid, complex look at the multi-faceted nature of New Orleans, a city replete with contradictions. More than twenty essays assemble a chorus of vibrant voices, including geographers, scholars of sugar and bananas, the city's remarkable musicians, prison activists, environmentalists, Arab and Native voices, and local experts, as well as the coauthors' compelling contributions. Featuring 22 full-color two-page-spread maps, Unfathomable City plumbs the depths of this major tourist destination, pivotal scene of American history and culture and, most recently, site of monumental disasters such as Hurricane Katrina and the BP oil spill.







The innovative maps' precision and specificity shift our notions of the Mississippi, the Caribbean, Mardi Gras, jazz, soils and trees, generational roots, and many other subjects, and expand our ideas of how any city is imagined and experienced. Together with the inspired texts, they show New Orleans as both an imperiled city--by erosion, crime, corruption, and sea level rise--and an ageless city that lives in music as a form of cultural resistance. Compact, lively, and completely original, Unfathomable City takes readers on a tour that will forever change the way they think about place.



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