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Color all maps new : poems
2021
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Summary
In his thirteenth collection of poetry, Jack B. Bedell examines moments of reparation and continuance in the face of loss. A grandmother's beignet recipe passed on to her granddaughter, a lost lake restored by heavy rain, a dead father's wisdom returned in dreams--over and again, the poems in Color All Maps New offer revision and restoration, light and hope. By turns personal, ecological, cultural, and fantastic, these poems promise new maps to navigate damaged territories. The rituals of family and South Louisiana culture share space with folklore and history here. From his home state's wetlands to its prairies and into the recesses of his own dreamscapes, Bedell draws maps toward recovery and reinvention in these poems, filling all space left empty by death, or storm, or slow erosion with colors of possibility and the hope of new growth.
Table of Contents
Acknowledgmentsp. vii
Just a Beginningp. 1
I.
Lines for a Country Songp. 5
Bourrép. 6
New Growth Moonp. 7
Couplets, Interstitialp. 8
Communalp. 9
Gulf, Wavesp. 10
Scales, Lightp. 11
Bulleyep. 12
Mestayerp. 13
Silkiesp. 14
II.
Lines for a 13-Year-Old Todd Marinovichp. 17
Prochep. 18
Course Correctionp. 19
Snake Pitp. 20
Crux, Issuep. 21
Sassaquoisp. 22
[My AM Dial Finds His Voice]p. 23
Ruddockp. 24
Catch, Memoryp. 25
Dream, Distractionp. 26
III.
Lines for Lake DeCadep. 29
Fall, Lightp. 30
When They Turned the Banksp. 31
Kate Mulvaney in Maurepasp. 33
Porch, Stewp. 34
Island Roadp. 35
Isle de Jean Charlesp. 36
Behind the Campp. 38
Nuagep. 39
Exhumationp. 40
IV.
Lines for Jonny Wilkinsonp. 43
Beignetsp. 44
How Many Timesp. 45
The Gacy Murder Housep. 46
[So He Picks This Spot Off I-55]p. 47
Last Island, 1856p. 48
Last Island, Returnp. 49
Prayer Does Not Have Top. 50
Space, Releasep. 51
All of Us, And Nonep. 52
V.
End of the Linep. 57
Island Deerp. 58
The Secretp. 59
Jefferson Island 1980,p. 60
Like Bread for Supperp. 61
Summer, Botany Lessonp. 62
Dream, Linesp. 63
Breakfast, Continuump. 64
My Daughter Says Tell Mep. 65
Dream, in Open Chordp. 66
About the Authorp. 67
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