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The sentences that create us : crafting a writer's life in prison
2022
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Writing advice and memoir come together in this powerful guide to creating a literary life while imprisoned. "There is no technology more democratic than language," Reginald Dwayne Betts writes in his foreword; in the sections that follow, contributors share their notes on the craft. The advice on plotting, creating art, structuring poetry, highlighting grammar and punctuation, and getting published is concise and on-point, as are the writing prompts that round things out. What sets this apart from the average guide, though, are the contributors' backstories, which are woven throughout. For example, Luis J. Rodriguez, who composed the chapter "On Poetry," "sat on murderers row in the Hall of Justice Jail" in 1970 Los Angeles on possible charges of homicide. Rodriguez "began to write. Thoughts, vignettes, anecdotes," before being released, and went on to eventually author 16 books. Patrick O'Neil's tale is equally memorable--he'd been convicted for armed robbery and "confined to a cell for twenty-three hours a day with a serial killer for a cellie." O'Neil joined a prison writing group and found inspiration in Anne Lamott's Bird by Bird, which paved the way for his memoir. These glimpses of light in conditions of darkness and pain are inspirational; the result is a moving paean to the power of writing. Agent: Anthony Arnove, Roam Agency. (Jan.)
Summary

"This is one of the best books on writing that I've ever read. I couldn't put it down."
--Michelle Alexander, author of The New Jim Crow

The Sentences That Create Us provides a road map for incarcerated people and their allies to have a thriving writing life behind bars--and shared beyond the walls--that draws on the unique insights of more than fifty contributors, most themselves justice-involved, to offer advice, inspiration and resources.

The Sentences That Create Us draws from the unique insights of over fifty justice-involved contributors and their allies to offer inspiration and resources for creating a literary life in prison. Centering in the philosophy that writers in prison can be as vibrant and capable as writers on the outside, and have much to offer readers everywhere, The Sentences That Create Us aims to propel writers in prison to launch their work into the world beyond the walls, while also embracing and supporting the creative community within the walls.

The Sentences That Create Us is a comprehensive resource writers can grow with, beginning with the foundations of creative writing. A roster of impressive contributors including Reginald Dwayne Betts (Felon: Poems), Mitchell S. Jackson (Survival Math), Wilbert Rideau (In the Place of Justice) and Piper Kerman (Orange is the New Black), among many others, address working within and around the severe institutional, emotional, psychological and physical limitations of writing prison through compelling first-person narratives. The book's authors offer pragmatic advice on editing techniques, pathways to publication, writing routines, launching incarcerated-run prison publications and writing groups, lesson plans from prison educators and next-step resources.

Threaded throughout the book is the running theme of addressing lived trauma in writing, and writing's capacity to support an authentic healing journey centered in accountability and restoration. While written towards people in the justice system, this book can serve anyone seeking hard won lessons and inspiration for their own creative--and human--journey.

The Sentences That Create Us includes contributions from Alexa Alemanni; Raquel Almazan; Ellen Bass; Reginald Dwayne Betts; Keri Blakinger; Jennifer Bowen; Zeke Caligiuri; Sterling Cunio; Chris Daley; Curtis Dawkins; Emile DeWeaver; Casey Donahue; Ryan Gattis; Eli Hager; Ashley Hamilton, PhD; Kenneth Hartman; Elizabeth Hawes; Randall Horton; Spoon Jackson; Mitchell S. Jackson; Nicole Shawan Junior; Yukari Iwatani Kane, Shaheen Pasha, and Kate McQueen of The Prison Journalism Project; Piper Kerman; Lauren Kessler; Johnny Kovatch; Doran Larson; Victoria Law; Jaeah Lee; John J. Lennon; Arthur Longworth; T Kira Mahealani Madden; J. D. Mathes; Justin Rovillos Monson; Lateef Mtima, JD; Vivian D. Nixon; Patrick O'Neil; Liza Jessie Peterson; Wilbert Rideau; Alejo Rodriguez; Luis J. Rodriguez; Susan Rosenberg; Geraldine Sealey; Sarah Shourd; Sarah Shourd; Anderson Smith, PhD; Derek R. Trumbo Sr.; Louise K. WaaKaa'igan; Andy Warner; Thomas Bartlett Whitaker; John R. Whitman, PhD; Saint James Harris Wood; Earlonne Woods and Nigel Poor of Ear Hustle; and Jeffery L. Young.

Table of Contents
About PEN Americap. ix
Foreword    Reginald Dwayne Bettsp. xi
Editor's Note: How to Read Ibis Book    Caits Meissnerp. xiii
PEN Prison Writing: Then and Now, In and Out by Susan Rosenbergp. xxi
Part IFoundations of Creative Writing
On Poetry    Luis J. Rodriguezp. 2
On Fiction    Ryan Gattisp. 16
On Nonfiction Memoir    Patrick O'Neilp. 41
On Dramatic Theater    Sarah Shourdp. 56
On Screenwriting    Alexa Alemannip. 75
On Graphic Narrative    Andy Warnerp. 85
On Journalism, edited    Jaeah Lee, interviews and research and Kate Cammellp. 96
The Prison Journalism Project's Quick Journalism Reference Guide    Yukari Iwatani Kane and Shaheen Pasha and Kate McQueenp. 121
A Guide to Grammar and Punctuation    Chris Daleyp. 130
After Grammar: Learning How to Transition    Emile DeWeaverp. 147
Re-Vision    Mitchell S. Jacksonp. 152
Part IICrafting a Writer's Life in Prison
Introduction    Caits Meissner and Elizabeth Hawesp. 164
The Price of Remaining Human    Thomas Bartlett Whitakerp. 167
The Most Important Thing (and a Few Other Rules)    Curtis Dawkinsp. 171
On Publishing from Prison    Saint James Harris Woodp. 175
Copyright Protection in Brief    Lateef Mtima, JD and John R. Whitman, PhDp. 180
Burn the Spot: On Writing about People You Know    Piper Kermanp. 185
The Power of Grieving in Words    Vivian D. Nixonp. 190
And Still I Write: Creative Expression for Self-Advocacy    Alejo Rodriguezp. 195
Every Story Needs Hope: Why You Should Write about Prison    Derek R. Trumbo Sr.p. 201
Start and End with the Feeling of Home: How I Developed My Poetry Manuscript    Louise K. Waakaa'iganp. 205
On Writing and Staging a Play in Prison    Sterling Cuniop. 210
Gift Culture: On Collaborating through the Walls    Spoon Jacksonp. 216
As for the Rest of Us: How to Win a Fellowship with No Support    Arthur Longworthp. 221
"Prison Writer": A Meditation on Histories and the Sentences that Create Them    Justin Rovillos Monsonp. 227
Part IIIOn Building Writing Community
Introduction    Caits Meissnerp. 232
On Building Prison Writing Communities    Zeke Caligiurip. 234
Remix the Plan, Return to the Purpose: How to Center Participant Storytelling in Writing Workshops    Nicole Shawan Juniorp. 240
No Pen or Paper Required: The Art and Practice of Community Storytelling    Casey Donahuep. 245
Part IVWriting Exercises
Translating to the Page    Doran Larsonp. 254
On Using Small Stories to Illuminate Big Issues    Lauren Kesslerp. 257
Writing the Poem of the Moment    Ellen Bassp. 261
Attention to Memory    Jennifer Bowenp. 264
The Inherent Magic of Objects    T Kira Mahealani Maddenp. 268
Apple Is for Identity and Other Prompts    Anderson Smithp. 272
Personifying Location    Johnny Kovatchp. 275
A Letter to My Ancestors    Raquel Almazanp. 277
Imagining Worlds: From Page to Stage    Ashley Hamiltonp. 280
Workshop Solitaire: Using Questions to Strengthen a Story    J.D. Mathesp. 283
Epilogue: A Writing Life in Community-from Inside Out    Randall Hortonp. 288
Further Readingp. 292
Further Resourcesp. 294
Acknowledgmentsp. 302
About the Contributorsp. 305
Permissionsp. 312
Indexp. 314
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