| About PEN America | p. ix |
| Foreword
Reginald Dwayne Betts | p. xi |
| Editor's Note: How to Read Ibis Book
Caits Meissner | p. xiii |
| PEN Prison Writing: Then and Now, In and Out by Susan Rosenberg | p. xxi |
Part I | Foundations of Creative Writing | |
| On Poetry
Luis J. Rodriguez | p. 2 |
| On Fiction
Ryan Gattis | p. 16 |
| On Nonfiction Memoir
Patrick O'Neil | p. 41 |
| On Dramatic Theater
Sarah Shourd | p. 56 |
| On Screenwriting
Alexa Alemanni | p. 75 |
| On Graphic Narrative
Andy Warner | p. 85 |
| On Journalism, edited
Jaeah Lee, interviews and research and Kate Cammell | p. 96 |
| The Prison Journalism Project's Quick Journalism Reference Guide
Yukari Iwatani Kane and Shaheen Pasha and Kate McQueen | p. 121 |
| A Guide to Grammar and Punctuation
Chris Daley | p. 130 |
| After Grammar: Learning How to Transition
Emile DeWeaver | p. 147 |
| Re-Vision
Mitchell S. Jackson | p. 152 |
Part II | Crafting a Writer's Life in Prison | |
| Introduction
Caits Meissner and Elizabeth Hawes | p. 164 |
| The Price of Remaining Human
Thomas Bartlett Whitaker | p. 167 |
| The Most Important Thing (and a Few Other Rules)
Curtis Dawkins | p. 171 |
| On Publishing from Prison
Saint James Harris Wood | p. 175 |
| Copyright Protection in Brief
Lateef Mtima, JD and John R. Whitman, PhD | p. 180 |
| Burn the Spot: On Writing about People You Know
Piper Kerman | p. 185 |
| The Power of Grieving in Words
Vivian D. Nixon | p. 190 |
| And Still I Write: Creative Expression for Self-Advocacy
Alejo Rodriguez | p. 195 |
| Every Story Needs Hope: Why You Should Write about Prison
Derek R. Trumbo Sr. | p. 201 |
| Start and End with the Feeling of Home: How I Developed My Poetry Manuscript
Louise K. Waakaa'igan | p. 205 |
| On Writing and Staging a Play in Prison
Sterling Cunio | p. 210 |
| Gift Culture: On Collaborating through the Walls
Spoon Jackson | p. 216 |
| As for the Rest of Us: How to Win a Fellowship with No Support
Arthur Longworth | p. 221 |
| "Prison Writer": A Meditation on Histories and the Sentences that Create Them
Justin Rovillos Monson | p. 227 |
Part III | On Building Writing Community | |
| Introduction
Caits Meissner | p. 232 |
| On Building Prison Writing Communities
Zeke Caligiuri | p. 234 |
| Remix the Plan, Return to the Purpose: How to Center Participant Storytelling in Writing Workshops
Nicole Shawan Junior | p. 240 |
| No Pen or Paper Required: The Art and Practice of Community Storytelling
Casey Donahue | p. 245 |
Part IV | Writing Exercises | |
| Translating to the Page
Doran Larson | p. 254 |
| On Using Small Stories to Illuminate Big Issues
Lauren Kessler | p. 257 |
| Writing the Poem of the Moment
Ellen Bass | p. 261 |
| Attention to Memory
Jennifer Bowen | p. 264 |
| The Inherent Magic of Objects
T Kira Mahealani Madden | p. 268 |
| Apple Is for Identity and Other Prompts
Anderson Smith | p. 272 |
| Personifying Location
Johnny Kovatch | p. 275 |
| A Letter to My Ancestors
Raquel Almazan | p. 277 |
| Imagining Worlds: From Page to Stage
Ashley Hamilton | p. 280 |
| Workshop Solitaire: Using Questions to Strengthen a Story
J.D. Mathes | p. 283 |
| Epilogue: A Writing Life in Community-from Inside Out
Randall Horton | p. 288 |
| Further Reading | p. 292 |
| Further Resources | p. 294 |
| Acknowledgments | p. 302 |
| About the Contributors | p. 305 |
| Permissions | p. 312 |
| Index | p. 314 |