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What is a book?
2002
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Library Journal Review
This book is good enough to revive the interest of general readers in books about literature. Kirby (English, Florida State Univ.), the author of many books of poetry, including The House of Blue Light, as well as several works of criticism, has gathered 17 essays so clear, relevant, and far-reaching as to address all the major working parts of literature. The book attempts to redefine the four essential components of the act of reading by posing and then answering four questions: What is a reader? What is a writer? What is a critic? and What is a book? After a brief general essay on each question, Kirby gives us three or four refreshingly witty, beautifully written, and accessible essays on topics that illustrate the nature of each of these "players" in the literary enterprise. The essays range widely and offer clear explanations without being judgmental, covering who's who and what's what in critical theory while giving a short history of reviewing and the role of criticism. In addition, Kirby confronts the claims of "outlaw poetry," examines the idea of the canon, and gives his own views on writers from Emerson, Poe, and Twain to James Dickey, Charles Wright, and Susan Montez. An important and useful book that is also surprisingly pleasurable and entertaining to read; highly recommended. [Kirby is a longtime LJ reviewer.-Ed.]-Paul D'Alessandro, Portland P.L., ME (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publishers Weekly Review
Rather than taking on the book's physicality, Florida State University professor of English David Kirby uses lists of favorites to answer the question What Is a Book? in the title piece from his new collection of critical essays. Kirby finds that for most people "what counts is the personhood, not of the author, but of the book"-that novels can contain, and become, the most reliable figures of our lives. Others among the 17 essays here wonder "Is There a Southern Poetry?" and "What Is a Critic?," and come up with equally thoughtful responses. (c) Copyright PWxyz, LLC. All rights reserved
Booklist Review
A poet, literary critic, and English professor, Kirby is passionate about his calling, yet his devotion to literature inspires as much mirth as intensity. An essayist equally at home in academia as in shopping malls, he's funny and relaxed even when involved in a meticulous dissection of literary theory or poetics. Gifted with a fluid historical sensibility and a quintessentially American open-mindedness, Kirby writes with nimbleness and precision about Melville and James, Charles Wright and Richard Howard, and children who love to be read to. His succinct history of literary criticism in America is fresh and useful, his argument that poets and fiction writers write the best literary criticism is convincing, and his fear that he may be "too happy to produce work of great feeling" is gratifyingly candid. Anchored by four sparkling "what is" inquiries into the nature of the reader, the writer, the book, and the critic, this altogether enjoyable, enlightening, and reassuringly human collection radiantly celebrates our unceasing love and need for books. --Donna Seaman
Summary

In What Is a Book? David Kirby addresses the making and consuming of literature by redefining the four components of the act of reading: writer, reader, critic, and book. He discusses his students, his work, and his practice as a teacher, writer, critic, and reader, and positions his theories and opinions as products of "real" life as much as academic exercise. Among the ideas animating the book are Kirby's beliefs that "devotion is more important than dissection" and "practice is more important than theory."

Covering an impressive range of writers--from Emerson, Poe, and Melville to James Dickey, Charles Wright, Richard Howard, Susan Montez, and others--Kirby considers the evolution of critical theory from the nineteenth century to the late twentieth and explores the role of criticism in contemporary culture. Drawing from his experience writing poetry and reading to children at a local housing project, he answers two of his four central questions: "What is a reader?" and "What is a writer?" In the largest section of the book, "What Is a Critic?," Kirby demonstrates his passionate engagement with the function of the critic in literary culture and offers both overviews and close examinations of literary theory, book reviewing, and the historical background of criticism from its earliest beginnings. In the final section of the book, he addresses the question "What is a book?" with an examination of the reading preferences of older readers. Kirby's analysis of those responses, along with his own notions of the literary canon, is an insightful excursion into how books are valued.

Deeply learned and wonderfully entertaining, What Is a Book? is a lucid look at the whole of literary culture. Kirby makes us think about the books we love and why we love them.

Table of Contents
Prefacep. ix
Acknowledgmentsp. xv
What is a Reader?
What Is a Reader?p. 3
What is a Writer?
What Is a Writer?p. 19
Breakfast with the Cumaean Sibyl, or A Poet's Educationp. 31
Don't Know Much about History: Sameness versus Originality in Poetryp. 48
Is There a Southern Poetry?p. 72
The Poet as Pitchman: James Dickey, American Poetp. 87
What is a Critic?
Emerson, Poe, and American Criticism in the Nineteenth Centuryp. 93
Slouching toward Baltimore: Twentieth-Century Literary Criticismp. 102
What Is a Critic?p. 117
Mr. Post-Everything: The Life and Times of Leopold von Sacher-Masochp. 128
"The Thing You Can't Explain": Theory and the Unconsciousp. 138
Reviewers in the Popular Press and Their Impact on the Novelp. 150
M. L. Rosenthal and Our Life in Poetryp. 159
What is a Book?
Ghosts and Gadabouts: Gothic and Picaresque in the American Novelp. 165
Born in the Marketplace: The Emergence of the American Novelp. 174
It Isn't about America, It Is America: Mark Twain's Huckleberry Finnp. 183
What Is a Book?p. 186
Bibliographyp. 201
Indexp. 209
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